Oscar-winning composer Gustavo Santaolalla tells THR around coaxing singers out of Zoe Saldana and also Diego Luna because that the animated film
You are watching: I will wait book of life
Who knew the Diego Luna could sing so well?
Such was the discovery (in English and also in Spanish) together the actor led the voice cast of The publication of Life, the 20th Century Fox animated movie directed by Jorge R. Gutierrez and also produced by Guillermo del Toro that complies with a romance with the 3 worlds celebrated in Mexican vacation Day the the Dead. Luna voices Manolo, an aspiring musician that hails indigenous a household of bullfighters and also gets captured in a love triangle through the free-spirited Maria (Zoe Saldana) and the vainglorious Joaquin (Channing Tatum).
See moreNew ‘Book the Life’ Trailer introduce Love Triangle, large Sword
“Diego has never excellent anything favor this before, however just by being an actor, every the nuances that interpretation, he had actually those,” states Gustavo Santaolalla, the Oscar-winning composer of Brokeback Mountain and also Babel, as fine asAugust: Osage county and The CW’s Jane the Virgin. “We didn’t want a super-professional singer; we wanted someone the was real and also was favor Manolo.
Who else was a pleasant surprise as soon as singing in the sound booth? “I think Zoe is amazing; she need to make her very own record,” he speak The Hollywood Reporter. “She’s a natural. She certainly could do one.”
The feature’s Sony Music soundtrack, which was released digitally critical month and also physically access time shelves Tuesday, additionally features Placido Domingo, Kinky, Jesse & Joy and Us the Duo, among others. That tasked Santaolalla with putting a hispanic spin top top Gutierrez’ diverse pop picks: Radiohead’s “Creep,” Mumford & Sons’ “I will Wait” and Rod Stewart‘s “Do Ya Think I’m Sexy” (including castmemberGabriel Iglesias‘ hilarious hook escalations), when Cheech Marin takes ~ above Biz Markie‘s “Just a Friend” with a toy piano.
To carry out so, the composer had singers maintain their hispanic accents on the tracks, readjusted songs’ rhythms to the 6/8 time signature, and combined recognizable Latin American and also Mexican tools — the accordion, marimba, jarana and other guitars — with film’s typical timbres of huge orchestras and choirs, every firsts because that Santaolalla.
Read an ext ‘The publication of Life’: film Review
“The identification of the movie is in this Mexican and also Latin American subjects of life, death and also the underworld — these are heavy subjects to transaction with,” Santaolalla explains. “It might have quickly went ‘Hollywood,’ and also it is v those details —keeping the accents, not watering down the topics — that ns think it’s fantastic it can even gain done.”
He likewise penned two initial tracks through Paul Williams: the attractive serenade “I Love You too Much,” i m sorry Manolo sings for Maria, and the ballad “The Apology Song,” recorded by both Luna and also La Santa Cecilia. “There’s not really any type of dialogue in the manuscript that encompasses this relationship of Manolo and the bull, and also all the bulls that have remained in fights through his ancestors,” claims Santaolalla of the latter. “It’s the whole concept of forgiveness —a straightforward and universal concept.”
While other principles of the film space more facility — “There might be one more world that all the world that we love space actually living much better and an ext colorful lives,” he states of another theme — Santaolalla points out his key takeaway: “Each among us space here, and in the publication of Life with an empty page, and also we are supposed to compose our own story. Those are big concepts, and that we deserve to transmit that to kids and also families as component of that we space as person beings.”